The day when ... Dalida's destiny has rocked
On January 27, 1967, Dalida found in a lover's suicide reasons to consider hers. Story of a desperation.
She opens her eyes weakly. Immediately, he returns to mind this chorus, haunting. "Ciao amore, ciao ...": "Bye, my love ..." Luigi Tenco's, always. But at the end of March 1967, in her hospital room, it is the face of an old lover who appears at the foot of the bed of Dalida. Talented and funny zebra, who has forgotten his past as a Nazi fighter by becoming a journalist-impresario known to all of Paris, Christian de La Maziere came to interview the convalescent artist for France-Soir and proclaim his resurrection. Formerly, Dalida loved Christian. But not the same fire that consumed it a month earlier, on February 27th. That night, in her sequel to the Prince of Wales, Iolanda Gigliotti tried, with the help of barbiturates, to shorten her days. Before being saved in extremis by a cleaning lady of the Parisian palace.
Terrorized by alcohol and drugs
"Since the death of Luigi Tenco, my life was nothing more than a march with no future," she told La Mazière, "coldly, I have reviewed the details of my life." Thirty-four years and nobody My work and people, a celebrity and nobody, no children, no hope, more than 20 years to come, more seasons to watch, nothing. " Since the death of Luigi Tenco ... It is 2:30 in the morning when, on January 27, 1967, Dalida enters the room of his companion, the hotel Savoia San Remo. She discovers him on the ground, on his stomach. He thinks he is asleep, overcome by alcohol and the drugs he has had to eat after his defeat at a contest he did not believe in. Dalida strokes Luigi's hair. Why did she encourage him to sing a Cia amore, ciao with too angry tones for the so-called Sanremo festival, which requires that each song be performed by two artists? Did she think that her glory would be reflected on the one she had loved a few weeks earlier in Rome? On stage, Luigi was feverish, tracker, and Ciao amore, ciao finished in twelfth place, despite the counterpoint provided by the inspired interpretation of Dalida. Which returns, now, the head of Luigi she discovers bloody. A howl sounded in the corridors of the Hotel Savoia. At the same time that she finds, helplessly, the death of her lover, she has just found her farewell letter, an arm of honor as a testament: "I did that, justifies Tenco, not because I am tired of life but in protest against a public that sends a final bluette like me, you and the roses. "
Its complexes of Italian Cairo
Later, some will question the thesis of suicide. Others will speak of cries preceding the drama between the singer and the accursed artist. As if nature hated fate. Dalida only believes in that. After Lucien Morisse, her Pygmalion-husband became a friend, she went out runaway disillusioned. The painter Jean Sobieski and Christian de La Mazière shared his bed without managing to quench his possessiveness and his thirst for absolute. With Luigi Tenco, younger than five years old, Bambino's interpreter thought he had found more than a lover: an anarchist rejecting compromises and showing him the way forward. And, beyond her dissatisfactions, a deep, committed being, making her forget her complexes of a little Italian from Cairo, with a crippling strabismus and whose constant need to be reassured went back to the premature death of her father.
"I want to live, to live harder"
"I will never die again, loose on his bed of pain Dalida in La Maziere, I want to live, live again and stronger, since Luigi Tenco is dead." On January 27, 1967, Iolanda Gigliotti did not just say goodbye to her broken love. She took possession of her soul. After Luigi, Dalida will give more depth to his repertoire, taking over With the time of Léo Ferré, veiling He had just turned 18 from a black sun. Fatality will also be involved when Lucien Morisse, then Richard Chanfray (aka Count of Saint-Germain), his companion of the 1970s, commit suicide in their turn. Like a repetition of fate? "No children, no hope, more than 20 years to come," declared, prescient, the singer at France-Soir. On the night of May 2 to 3, 1987, when Dalida closes his shutters and swallows barbiturates before lying on his bed, there will be no one to thwart his choice. One last time, Luigi Tenco showed him the way ...
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dalida
On January 27, 1967, Dalida found in a lover's suicide reasons to consider hers. Story of a desperation.
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| Dalida alian delon |
She opens her eyes weakly. Immediately, he returns to mind this chorus, haunting. "Ciao amore, ciao ...": "Bye, my love ..." Luigi Tenco's, always. But at the end of March 1967, in her hospital room, it is the face of an old lover who appears at the foot of the bed of Dalida. Talented and funny zebra, who has forgotten his past as a Nazi fighter by becoming a journalist-impresario known to all of Paris, Christian de La Maziere came to interview the convalescent artist for France-Soir and proclaim his resurrection. Formerly, Dalida loved Christian. But not the same fire that consumed it a month earlier, on February 27th. That night, in her sequel to the Prince of Wales, Iolanda Gigliotti tried, with the help of barbiturates, to shorten her days. Before being saved in extremis by a cleaning lady of the Parisian palace.
Terrorized by alcohol and drugs
"Since the death of Luigi Tenco, my life was nothing more than a march with no future," she told La Mazière, "coldly, I have reviewed the details of my life." Thirty-four years and nobody My work and people, a celebrity and nobody, no children, no hope, more than 20 years to come, more seasons to watch, nothing. " Since the death of Luigi Tenco ... It is 2:30 in the morning when, on January 27, 1967, Dalida enters the room of his companion, the hotel Savoia San Remo. She discovers him on the ground, on his stomach. He thinks he is asleep, overcome by alcohol and the drugs he has had to eat after his defeat at a contest he did not believe in. Dalida strokes Luigi's hair. Why did she encourage him to sing a Cia amore, ciao with too angry tones for the so-called Sanremo festival, which requires that each song be performed by two artists? Did she think that her glory would be reflected on the one she had loved a few weeks earlier in Rome? On stage, Luigi was feverish, tracker, and Ciao amore, ciao finished in twelfth place, despite the counterpoint provided by the inspired interpretation of Dalida. Which returns, now, the head of Luigi she discovers bloody. A howl sounded in the corridors of the Hotel Savoia. At the same time that she finds, helplessly, the death of her lover, she has just found her farewell letter, an arm of honor as a testament: "I did that, justifies Tenco, not because I am tired of life but in protest against a public that sends a final bluette like me, you and the roses. "
Its complexes of Italian Cairo
Later, some will question the thesis of suicide. Others will speak of cries preceding the drama between the singer and the accursed artist. As if nature hated fate. Dalida only believes in that. After Lucien Morisse, her Pygmalion-husband became a friend, she went out runaway disillusioned. The painter Jean Sobieski and Christian de La Mazière shared his bed without managing to quench his possessiveness and his thirst for absolute. With Luigi Tenco, younger than five years old, Bambino's interpreter thought he had found more than a lover: an anarchist rejecting compromises and showing him the way forward. And, beyond her dissatisfactions, a deep, committed being, making her forget her complexes of a little Italian from Cairo, with a crippling strabismus and whose constant need to be reassured went back to the premature death of her father.
"I want to live, to live harder"
"I will never die again, loose on his bed of pain Dalida in La Maziere, I want to live, live again and stronger, since Luigi Tenco is dead." On January 27, 1967, Iolanda Gigliotti did not just say goodbye to her broken love. She took possession of her soul. After Luigi, Dalida will give more depth to his repertoire, taking over With the time of Léo Ferré, veiling He had just turned 18 from a black sun. Fatality will also be involved when Lucien Morisse, then Richard Chanfray (aka Count of Saint-Germain), his companion of the 1970s, commit suicide in their turn. Like a repetition of fate? "No children, no hope, more than 20 years to come," declared, prescient, the singer at France-Soir. On the night of May 2 to 3, 1987, when Dalida closes his shutters and swallows barbiturates before lying on his bed, there will be no one to thwart his choice. One last time, Luigi Tenco showed him the way ...
Tags:
Dalida alian delon, dalida alain delon paroles paroles lyrics, dalida and alain delon paroles paroles,dalida alain delon paroles, dalida alain delon couple, dalida et alain delon chanson, dalida alain delon chanson, parole chanson dalida alain delon paroles paroles, alain delon chante avec dalida, dalida alain delon paroles download, dalida alain delon histoire d'amour, duo dalida alain delon
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